I recently got a story published by German trade weekly MusikWoche (my main client) in which I summarize my findings on the current state of affairs in the business of music and games. Not that I claim to have unearthed revolutionary details but you may find interesting the royalties being paid to copyright owners in this field. I was given percentage figures by “sources familiar with” the negotiations between music publishers, labels, and games publishers.
Here is link to the article on MusikWoche’s website. But since it’s a paysite, you might need a password.
So, maybe you’ll like this PDF here:

